Rehearsal #2: Dynamics
Rehearsal number TWO! Ah… it felt like slipping into a nice comfortable pair of shoes. Now I remember what directing feels like.
We were at the Dark Room, and we started (after suitable name-game warm-ups) with just practicing setting up scenes in character. In order to get over the initial inertia, I told people to start by setting up scenes and games while in Shakespearean characters. Then, once people had the hang of it and the creative juices started to flow, we expanded into more free-form styles.
Then we took a short break and moved into trying to establish a scene in a genre as quickly as possible without telling anyone which genre you were trying to establish. This exercise has the added bonus of developing style-matching skills without people really being aware of it. Shh… Don’t tell them.
THEN we did a status exercise that Tara developed at the Un-Scripted retreat a few years ago using a card game called Blink. The game has cards with various designs, but the key is that the design is repeated anywhere from 1 to 5 times. So it’s like having a whole deck of cards just 1 through 5.
Here’s how it works. Everyone in the scene pulls cards that represent their statuses to various elements of the scene. A card for their status to themselves, to each other character in the scene, and to the environment. Then you set people up in a scene. Setting people up in a scene is rather important for this exercise because the set up will imply certain status relationships that will either be in line with or opposite of the status cards they chose. The results are always very dynamic scenes.
Watch it all time-lapsed down to less than two minutes:
We were at the Dark Room, and we started (after suitable name-game warm-ups) with just practicing setting up scenes in character. In order to get over the initial inertia, I told people to start by setting up scenes and games while in Shakespearean characters. Then, once people had the hang of it and the creative juices started to flow, we expanded into more free-form styles.
Then we took a short break and moved into trying to establish a scene in a genre as quickly as possible without telling anyone which genre you were trying to establish. This exercise has the added bonus of developing style-matching skills without people really being aware of it. Shh… Don’t tell them.
THEN we did a status exercise that Tara developed at the Un-Scripted retreat a few years ago using a card game called Blink. The game has cards with various designs, but the key is that the design is repeated anywhere from 1 to 5 times. So it’s like having a whole deck of cards just 1 through 5.
Here’s how it works. Everyone in the scene pulls cards that represent their statuses to various elements of the scene. A card for their status to themselves, to each other character in the scene, and to the environment. Then you set people up in a scene. Setting people up in a scene is rather important for this exercise because the set up will imply certain status relationships that will either be in line with or opposite of the status cards they chose. The results are always very dynamic scenes.
Watch it all time-lapsed down to less than two minutes:
Labels: Un-Scripted: unscripted, Un-Scripted: unscripted 2009, video clip




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